EXCERPT: ‘I stole most of that last paragraph from the internet’ (Coupland, 2009: 4)

“By the way, welcome to Oskaloosa and all the many features that make Oskaloosa a terrific place to visit. There’s something for everyone here, from the historic city square with its bandstand to the George Daily Auditorium, the award-winning Oskaloosa Public Library, William Penn University and three golf courses.

I stole most of that last paragraph from the internet. What the town’s home page forgot to mention was my father’s meth distillery (“lab” makes it sound so Cletus-&-Brandeen), which got busted by the DEA a few years back. Dad and the DEA never got along too well.”

— Douglas Coupland, Generation A (2009), p. 4. (emphasis mine)

How might an artist, in whatever medium, respond to the barrage of signs, images, messages and codes which makes up our daily mediated environment? Repudiate it utterly as a deadening of the senses, a falsification of experience, something maddening, banal, even corrupt? But if one simply closes one’s eyes, then does art run the risk of irrelevancy, obsolescence, and denial?
– Alan Bilton, An Introduction to Contemporary American Fiction (Edinburgh: Edinburgh University Press, 2002), p. 225.
How might a novellist represent contemporary, globalized reality if that world and its citizens have become plotless?
– Andrew Tate, Douglas Coupland (Manchester: Manchester University Press, 2007), p. 38.
EXCERPT: ‘I stole most of that last paragraph from the internet’ (Coupland, 2009: 4)
"How might an artist, in whatever medium, respond to the barrage of signs, images, messages and codes which makes up our daily mediated environment? Repudiate it utterly as a deadening of the senses, a falsification of experience, something maddening, banal, even corrupt? But if one simply closes one’s eyes, then does art run the risk of irrelevancy, obsolescence, and denial?"
"How might a novellist represent contemporary, globalized reality if that world and its citizens have become plotless?"

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Notes for an MA dissertation on contemporary science fiction and the technoculture.

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